The passage of indeterminacy in the intensification of being

2011-12
Single-channel HD video installation with stereo sound
48:49 minutes
Installation dimensions vary

Above: installation documentation from ‘The Art of Being a Fan’ The Block, QUT, 28-30 March 2012

Below: photo documentation from ‘The Social’ Campbelltown Arts Centre, 2 February – 10 March 2013
Photos: Zan Wimberly

Bottom: installation documentation from SafARI 2012, The Rocks, Sydney, 22 June – 15 July

The passage of indeterminacy in the intensification of being is a video installation that reconfigures the viewing experience of Katy Perry’s ‘California Girls’ music video into a slow-motion odyssey of video portraiture. “By slowing down the footage to eight percent of its intended speed… the original cuts are dramatically lengthened into engrossing vignettes that demand a certain contemplation. Rather than being seamless cuts, this work becomes a fluid, abstract, composition, which blends, shifts and merges one scene into another… Searching for a glimpse of ‘sun kissed skin’ we are instead rewarded with a portrait of popular culture that is both seductive and grotesque in equal measure… The portrait here is always in flux, almost as fluid as pop culture itself, where one beautiful face fades seamlessly and endlessly into the next.” Anita Holtsclaw, 2011 (from the Portraits exhibition essay).

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Conditions of Compromise and Failure (The Dickensian Aspect)